Videomapping for the launch of Horizon Zero Dawn by Guerrilla Games at Hotel Arena Amsterdam. Production by Veejays.com video edit VJ Sjush music Julie Elven Music. Videomapping, equipment and operation by BeamSystems. Thanks all for the great collaboration and wonderful result.

Wehkamp Living 25

Lichtshow Bosch by Night in kader van Jheronimus Bosch 500.

Lichtshow Bosch by Night in kader van Jheronimus Bosch 500.

Video mapping hot wheels

Video mapping bij Foam

BeamSystems met Urbi et Orbi in Koldijk.

Lancering Project A15

Cinedans VR BeamLab: This was a BeamLab workshop in cooporation with Cinedans & Dansmakers Amsterdam. Video editing & pictures: Jenni Dermaux Credits: BeamLab: Jason Malone & Niels Otten. Cinedans samenwerking: Nienke Rooijakkers & Martine Dekker. BeamSystems: Jesse Salome, Marco Kouwenhoven, John Strijland & Barry Mertens. Studio Boompjes: Roy Gerrits Artists: Enrico Meijer & Jonne Covers Steye Hallema Setareh Fatehi & Fred Rodrigues Keren Rosenberg & Tony Marcus Sacharias

A Performance Tech Lab collaboration with Dansmakers Amsterdam and Beamlab.

Partnering with ShowTex for PepperScrim awesomeness.

BeamSystems Showreel

Beginning on the 14 January, leading international video artists started a three-week display of 3D projections in the centre of Amsterdam – onto the EYE Filmmuseum building. The video artists were competing as part of The World Masters of Projection Mapping (WMPM) competition, a joint venture initiative from Amsterdam Light Festival, Integrated Systems Events and RAI Amsterdam.

Cinedans VR BeamLab: This was a BeamLab workshop in collaboration with Cinedans & Dansmakers Amsterdam. Credits: BeamLab: Jason Malone & Niels Otten. Cinedans samenwerking: Nienke Rooijakkers & Martine Dekker. BeamSystems: Jesse Salome, Marco Kouwenhoven, John Strijland & Barry Mertens. Studio Boompjes: Roy Gerrits.Artists: Enrico Meijer & Jonne Covers Steye Hallema Setareh Fatehi & Fred Rodrigues Keren Rosenberg & Tony Marcus Sacharias.Video editing & pictures: Jenni Dermaux.

The brand new attraction ‘Brew You Ride’ part of Heineken Experience. The entire process of brewing, bottling and enjoying your Heineken beer is brought to life in a new audiovisual journey. Commissioned by Heineken Experience and Heijmerink Wagemakers. Northernlight made a spatial and visual design, content was created by Tamschik Media + Space and BeamSystems designed and realised the overall audio-visual installation. The impact of visual story telling, soundscapes and a route through different rooms make this a unique experience. Go Brew You Ride!

Audiovisual artist Irma de Vries created a modern goddess Mi. A portrait of Mi is brought to life with video mapping and an augmented reality app on your phone. BeamLab engaged in the concept phase to create an harmonious interplay between the painting and the projection. Subsequently BeamLab installed the projector set up with media players and supporting hardware; build a climatised container and operated the equipment for the open air video-mapping.

Interactive anti-surveillance machine.plplpl.pl analyses the behaviour and responds to the audience with actions, based on digital surveillance algorithms. An experimental man-machine interaction project developed, prototyped, tested and constructed in collaboration with BeamLab.

BeamSystems Showreel 2017: Samsung Experience, Nijntje, Project A-15, Bosch by Night ...

Lichtshow Bosch by Night in kader van Jheronimus Bosch 500.

Ons echte goud - Museumweek Maastricht. Videomapping op Onze Lieve Vrouwe Kerk.

Ons echte goud - Museumweek Hoorn. Projectie op waterfontein in de haven van Hoorn.

Nijntje videomapping, Centraal Museum Utrecht.

Vlisco Anniversary - fashion show

Augmented Reality installatie

H&M opening - videomapping, Dam Square Amsterdam

Waalwijk videomapping ter gelegenheid van jubileum Rabobank Waalwijk.

Waterlandplein Amsterdam - videomapping in combinatie met lichtshow.

A man or a woman moves naked with a figure wrapped in black which steps in and out of the dark surroundings. The eight display screens set in small pillars with sound stand in a circle surrounded by empty space. The slow motion movements strikes you as almost graphical. The bodies are looking for balance. To embrace or reject, to fight or surrender. The seconds tick away.

In this ‘moving drawing,’ a woman’s hair covers her face like a flame. She appears to be on fire, caught between two tower-shaped frames. ‘Lady Liberty,’ the mother of freedom, would never fall, would she? The work is a gift for the people of New York City.

A blonde-haired girl slowly floats up from the depths of a well. After a while, two more girls appear in front and from behind. One by one, they turn their faces toward us while descending further and further into the deep. A naked young woman with waves of blonde hair like the others, rises up. With an extended hand, she floats towards the viewer, so far that she breaks through the virtual floor into ‘reality.’ An alternately angelic and dissonant music accompanies the images.

An elderly naked man and woman look at you from the large screen. Then something starts to happen: they begin to dance, following the heartbeat of the visitor. In Travelling of the Heart, a virtual space of changing images and sound respond to the viewer, whose input is needed for the installation to function. Both the tempo and the images are forever shifting, no single second is ever the same.

From the dark depths of the well in the ancient crypt a small child appears. Very slowly, as if he is floating in the water, he rises upwards. The child then disappears again, into the darkness below. He comes up for a second time. Again he moves upwards along the sides of the stone well. The metal grating, however, prevents him from ascending any further. The well of the Lebuinus Church and the River IJssel are connected historically and climatically. When the IJssel is high, the crypt fills with water. The 3D stereoscopic installation ‘Well’ reveals this connection in a special way. The installation was made for the IJsselbiënnale (IJssel Biennial) 2017.

The title ‘Ecce Homo’ (‘Behold the Man’) refers to the biblical story John. In this 3D holographic video installation the passage from the Passion of Jesus is given a contemporary touch. Without the crown of thorns and the purple robe, not an innocent young man but a naked little boy in all his pain and sorrow is shown to the ‘world’, floating upside down. Weevers’ media art is a search for strength in vulnerability.

A baby emerges from the deep black, floating very slowly towards you. His open attitude and outstretched arms invite you to embrace him. The baby then detaches from the void, floating for a moment as a fragile sculpture – timeless and silent in space. Slowly, he disappears back into the darkness. The whole is accompanied by a richly dissonant score, sound and image evoking multiple associations. Feelings of fragility, beauty and desolation merge for an experience of quiet intensity.

On each of Weevers’ panels we see a child, an infant, in a short loop. It is naked and vulnerable. Its uncontrolled movements seem to be governed by some kind of higher choreography. A gesture of sadness and abandonment suddenly becomes a gesture of blessing. Reaching out for comfort becomes a gesture of surrender. Its childlike expression shows wondrous gradations of seeing, not seeing and seeing inwardly.

As we lie on the bed wearing 3D glasses, looking upwards, they reach us from an endless deep. Very slowly. What are they, these glimmers of light in the darkness? The closer they get the more form they acquire. They are very young children, some of them still babies. One by one they come and they go. One doubles in size and then splits up and changes from colour to black and white. Free of the background they float in space. Touchable with the fingertips until they disappear again.

Standing in the middle, a heavily pregnant young woman. Her hair partly covers her naked body to her ankles. She peers past you, with no expression on her face. From underneath, a gusty wind begins to blow, wafting her hair slowly upwards into the air. Suddenly, the woman bends slightly forward, her left arm in front of her abdomen, and grimaces painfully. Losing her balance, she falls sideways out of the frame until only black remains.